HOGARTH, William
British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.

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HOGARTH, William Portrait of Mary Edwards sf oil painting


Portrait of Mary Edwards sf
1742 Oil on canvas Frick Collection, New York
Painting ID::  7503
HOGARTH, William
Portrait of Mary Edwards sf
1742 Oil on canvas Frick Collection, New York
   
   
     

HOGARTH, William The Painter and his Pug f oil painting


The Painter and his Pug f
1745 Oil on canvas, 90 x 70 cm Tate Gallery, London
Painting ID::  7504
HOGARTH, William
The Painter and his Pug f
1745 Oil on canvas, 90 x 70 cm Tate Gallery, London
   
   
     

HOGARTH, William Portrait of a Young Woman 46 oil painting


Portrait of a Young Woman 46
Oil on canvas, 76,5 x 63,5 cm Museum voor Schone Kunsten, Ghent
Painting ID::  7505
HOGARTH, William
Portrait of a Young Woman 46
Oil on canvas, 76,5 x 63,5 cm Museum voor Schone Kunsten, Ghent
   
   
     

HOGARTH, William The Orgy f oil painting


The Orgy f
c. 1735 Oil on canvas, 62,5 x 75 cm Sir John Soane's Museum, London
Painting ID::  7506
HOGARTH, William
The Orgy f
c. 1735 Oil on canvas, 62,5 x 75 cm Sir John Soane's Museum, London
   
   
     

HOGARTH, William A Scene from the Beggar's Opera g oil painting


A Scene from the Beggar's Opera g
1728-29 Oil on canvas National Gallery of Art, Washington
Painting ID::  7507
HOGARTH, William
A Scene from the Beggar's Opera g
1728-29 Oil on canvas National Gallery of Art, Washington
   
   
     

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     HOGARTH, William
     British Painter and Printmaker, 1697-1764 English painter and engraver. He played a crucial part in establishing an English school of painting, both through the quality of his painting and through campaigns to improve the status of the artist in England. He also demonstrated that artists could become independent of wealthy patrons by publishing engravings after their own paintings.

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